JENNY BLAZING
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Process I use for my Gelatin Plate Monoprinting
The following images show how I fabricate my own gelatin plates for use in creating one-of-a-kind original archival monoprinted collage papers.
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I use these gelatin plates to create unique hand-painted monoprinted collage papers to incorporate into my paintings.  I paint the gelatin plate using a variety of approaches to create each “gelatin plate painting” including the following:
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"Classical" approach - I use a paintbrush to construct a painting much as one might imagine a classically trained artist would.
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"Sgraffito" approach - I brayer a layer of paint onto the gelatin plate in the way that one might frost a cake. I then create an image or abstract textures using silicon brushes, and other implements to “etch” patterns into the paint, almost like creating "snow angles" in a coat of fresh snow. 
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"Resist" approach -  I brayer a layer of paint onto the gelatin plate as above, and then I apply scraps of paper, natural findings and other objects to create a “resist” when the printing process is done.  
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 When I complete each painting on the gelatin pad surface, I place archival paper atop the painted gelatin plate and smooth it over the image to capture what I have created in a single print. ​I then apply one or two additional papers to the remaining painted imagery and create “ghost prints” that are very different in outcome from the original, yet every bit as interesting.
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Painted Gelatin Plate
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First Monoprint
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Second Monoprint "Ghost Print"
Thank you for reading about my process. I love how incorporating these monoprinted papers into my paintings gives them each their own voice. 
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"Arrangement" Work in Process
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